THIN LIZZY

Vu ça à la FNAC :

ttps://www.amazon.fr/Tokyo-1980-Thin-Lizzy/dp/B08KGT79Q4/ref=asc_df_B08KGT79Q4/?tag=googshopfr-21&linkCode=df0&hvadid=506811150432&hvpos=&hvnetw=g&hvrand=4725720617716286943&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9056548&hvtargid=pla-1181566953507&psc=1

Quand on interviewait Phil Lynott en pleine tournée US, le journaliste se devait de connaître l'histoire de l'Irlande sur le bout des 'fingers". En même temps, il y avait toujours le Gorham pour lui dire : "Hey Phil, on a un album à promouvoir !!!!!!!" Et le Lynott de répondre : "Ben, ils devraient la connaître, l'histoire de l'Irlande !!!"

https://ultimateclassicrock.com/phil-lynott-thin-lizzy-interviews/?fbclid=IwAR1CVDDXh8mPr4A--TGR_hcCMypaGJGcIzTnfqKC4p5re9RnJ9i2lMvi_sY

Le film Songs While I'm Away est visible en VO sur Google Play :

Deux nouvelles coques lizziennes :

A vendre :

https://www.ebay.co.uk/itm/255136736696?hash=item3b6755a5b8%3Ag%3AueQAAOSwKmphQgpT&fbclid=IwAR2rfLn5Dpdmd7bZKSvwUhbp_RAgL3K7QRqczrSHhH1_lWfpZKc1w-Djx7s

Ya de belles pieces dans les "Other Items" .

Sortie prévue le 14 Janvier 2022 :

t'as une idée de ce que c'est?

Pour le moment non.

https://www.amazon.co.uk/Broadcast-Archives-Phil-Lynott-Lizzy/dp/B09M7T7YH1

Les 10 titres préférés de Brian Downey :

10. It’s Only Money

It’s from the Nightlife album, the first one with Brian Robertson and Scott Gorham, and I love the groove on it. It was a spontaneous thing that came up in rehearsal: Phil came up with the tempo, and it’s one of those tunes that’s just great to play. I still love listening to it.

9. Chinatown

Again, a great groove. Kind of a shuffle. It’s a song that was thrown back and forward a few times in rehearsal, and was originally quite different. Someone suggested we try it with a shuffle beat, and it worked perfectly. It’s become a real favourite.

8. Warriors

This was an idea that Phil had knocking around just before we recorded it, and there’s a bit of a Hendrix influence in there, which I like. We were all pretty influenced by Hendrix back in the day. At the time the track was recorded I wasn’t exactly sure what the idea was, but it came out pretty well. It might not be said in the song, but it’s definitely dedicated to Hendrix.

7. Johnny The Fox Meets Jimmy The Weed

A kind of a funky groove on this one. Phil had come into rehearsal with the idea a few times already, so I kinda knew the song, but it was never really developed until we got into a recording studio in London. We decided to have another go at it, and it came together pretty quickly in the end. It’s a great song to listen to, with a great groove.

6. Look What The Wind Blew In

From the original Thin Lizzy album, recorded at Decca Studios in West Hampstead. It was a song we really struggled with when we were first rehearsing the album in Dublin, then we went to London to record, by which time we had the song’s outline well worked out, from start to finish, and it came together pretty quickly.

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5. Buffalo Gal

From our second album on Decca Records, Shades Of A Blue Orphanage. Another great groove that Phil had. A very simple, heart baseline that the drums compliment. And Phil’s lyrics just sound fantastic on that song. There’s also a great guitar solo with lots of feedback.

4. Emerald

From the Jailbreak album. Kind of an Irish-influenced groove on this one. Lots of Irish-influenced guitar, too, with a jiggy kind of vibe. Phil’s vocals are splendid on this. The lyrics are really good. “Down from the glen came the marching men” is the kind of standard opening line you’d get with those traditional tunes - I’d heard that sort of refrain before - but Phil put his stamp on it.

3. Black Rose

Gary Moore came into the band a couple of times to help us out when guitar players left, or disappeared, or didn’t turn up. And on Black Rose he played brilliantly. He came up with the idea for the riff, and we all waded in with our own ideas. That’s what makes Black Rose really special for me: everybody contributed something to the song, and it came out brilliantly.

2. Bad Reputation

This song came about before we went to Canada (we had to get out of England at the time because of our tax situation, so Tony Visconti came up with the idea of going to Canada to record). It came together pretty quickly: lots of nice strumming in there. Phil left it nice and open, didn’t really arrange it too much, leaving lots of room for the drums, and it sounds pretty good to me.

1. The Rocker

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From the Vagabonds Of The Western World album, the third album we did for Decca. We went into the studio in London and left everything open for spontaneous jamming. And that shows on the record, but it sounds brilliant: it was so rough and ready when we started the song, it sounds like a jam we just happened to capture on the day, and that’s basically what it was. We had the idea, we rehearsed it a lot before we went into the studio, but yet again it was left slightly open, so we could play whatever we wanted, and that’s what happened.

We played for six or seven minutes, which is a long time for an album track, and I’m kinda glad it takes up a lot of space on the album - I’ve heard a few different edits - because Eric Bell plays some unbelievable guitar on it. We seemed to gel and knit really well on that record, and that makes it my favourite Lizzy song.

Phil a écrit:

Pour le moment non.

https://www.amazon.co.uk/Broadcast-Archives-Phil-Lynott-Lizzy/dp/B09M7T7YH1

Si tu commandes en Angleterre attention au frais de douane .
NB transmission c'est toujours de la mer..

Vendredi étant en TLT je me suis fait "Live and Dangerous" une fois de plus, c'est dingue je n'y arrive pas, je ne comprends pas ce que vous trouvez à ce live d'extraordinaire voir même d'excellent
Sorry Phil

Iron 31 a écrit:

Vendredi étant en TLT je me suis fait "Live and Dangerous" une fois de plus, c'est dingue je n'y arrive pas, je ne comprends pas ce que vous trouvez à ce live d'extraordinaire voir même d'excellent
Sorry Phil

Tu n'as aucun goût pour la subtilité musicale...

Sinon, Scott Gorham confirme l'idée de reformer Thin Lizzy dans le but de faire re-découvrir aux gens la qualité des titres lizziens.

https://bravewords.com/news/scott-gorham-on-reactivating-thin-lizzy-i-ve-proved-the-point-with-black-star-riders?fbclid=IwAR3WoVAMoPOQ63YCE-0BzTUSxTPPVFhZr3edG09dwRLcP_8I4GT4LB1k2NQ

Faut arrêter Lizzy c'est mort depuis longtemps, un certain 4 janvier 86

C'est comme si ACDC avait continué sans Angus!!!!!!!!!!!!!!

Iron 31 a écrit:

Faut arrêter Lizzy c'est mort depuis longtemps, un certain 4 janvier 86

C'est comme si ACDC avait continué sans Angus!!!!!!!!!!!!!!

AC/DC s'est arrêté le 19 février 80. C'est encore plus vieux......

Phil a écrit:

Iron 31 a écrit:

Faut arrêter Lizzy c'est mort depuis longtemps, un certain 4 janvier 86

C'est comme si ACDC avait continué sans Angus!!!!!!!!!!!!!!

AC/DC s'est arrêté le 19 février 80. C'est encore plus vieux......

L'arroseur arrosé

Iron 31 a écrit:

Phil a écrit:

Iron 31 a écrit:

Faut arrêter Lizzy c'est mort depuis longtemps, un certain 4 janvier 86

C'est comme si ACDC avait continué sans Angus!!!!!!!!!!!!!!

AC/DC s'est arrêté le 19 février 80. C'est encore plus vieux......

L'arroseur arrosé

Phil a écrit:

Iron 31 a écrit:

Vendredi étant en TLT je me suis fait "Live and Dangerous" une fois de plus, c'est dingue je n'y arrive pas, je ne comprends pas ce que vous trouvez à ce live d'extraordinaire voir même d'excellent
Sorry Phil

Tu n'as aucun goût pour la subtilité musicale...

Sinon, Scott Gorham confirme l'idée de reformer Thin Lizzy dans le but de faire re-découvrir aux gens la qualité des titres lizziens.

https://bravewords.com/news/scott-gorham-on-reactivating-thin-lizzy-i-ve-proved-the-point-with-black-star-riders?fbclid=IwAR3WoVAMoPOQ63YCE-0BzTUSxTPPVFhZr3edG09dwRLcP_8I4GT4LB1k2NQ

Iron 31 a écrit:

Faut arrêter Lizzy c'est mort depuis longtemps, un certain 4 janvier 86

C'est comme si ACDC avait continué sans Angus!!!!!!!!!!!!!!

Je suis d'accord avec tous les deux

DEAR FRIENDS
WE ARE PREPARING OUR THIN LIZZY FEST FOR 2023 IN FRANCE...
We will not fail to give you news on the evolution of the project.
Nous préparons notre premier THIN LIZZY FEST en 2023 en France.
Nous ne manquerons pas de vous donner des nouvelles sur l'évolution du projet.
RITON ...... PHILIPPE...... THIERRY

WE ARE PREPARING OUR THIN LIZZY FEST FOR 2023 IN FRANCE...
As promised we give you news of our project.
We can announce that we have the following Tribute-band agreements:
FAST LIZZY, BREAKOUT, MISTER LIZZY, BLACK ROSE and RENAUD HANTSON plays Thin Lizzy.
We are in talks for the HEADLINER with several artists.
We will soon formalize the concert hall, and the date.
There are several animations planned, including an exhibition of collections on Thin Lizzy.
It will be possible to recover.

Nous préparons notre premier THIN LIZZY FEST en 2023 en France.
Comme promis nous vous donnons des nouvelles de notre projet.
Nous pouvons annoncer que nous avons les accords des Tribute-bands suivants:
FAST LIZZY, BREAKOUT, MISTER LIZZY, BLACK ROSE... Et RENAUD HANTSON plays Thin Lizzy .
Nous sommes en pourparlers pour la tête d'affiche avec plusieurs artistes.
Nous allons bientôt officialiser la salle de concerts, et la date.

A Tribute To Thin Lizzy (US import CD))
Expected May 13, 2022
It's available for pre-order now via Meadows
A superb lineup of musicians come together for this incredible tribute to Dublin hard rock heroes, Thin Lizzy!
Includes performances by former Rolling Stones guitarist Mick Taylor, Asia’s John Payne, Great White singer Jack Russell, Atlanta Rhythm Section, Molly Hatchet and more!
Fantastic covers of the band’s best including “The Boys Are Back In Town,” “Dancing In The Moonlight,” “Jailbreak” and more!
Tracklist:
1. Killer On The Loose – John Payne (Asia)
2. The Boys Are Back In Town – Fee Waybill (The Tubes)
3. Jailbreak – Hollywood Roses with Mick Taylor (ex-Rolling Stones)
4. Sarah – Jack Russell’s Great White
5. The Boys Are Back In Town – Atlanta Rhythm Section
6. Out In The Fields – Gary Barden (Michael Schenker Group) & Michael Schenker
7. The Boys Are Back In Town – Molly Hatchet
8. Don’t Believe A Word – Lea Hart (Fastway)
9. Whiskey In The Jar – Nicky Moore (Samson/Mammoth)
10. Rosalie – Steve Overland (FM)
11. Cowboy Song – Steve Grimmett (Grim Reaper)
12. Dancing In The Moonlight – Steve Overland (FM)