JIMI HENDRIX

À FOND LES BALLONS!!!!

http://www.20minutes.fr/culture/2088195-20170618-video-parc-jimi-hendrix-seattle-fait-peau-neuve?utm_term=Autofeed&utm_campaign=Echobox&xtref=twitter.com&utm_medium=Social&utm_source=Twitter#link_time=1497823423

https://forgottenguitar.com/2016/02/26/rare-footage-of-jimi-hendrixs-full-performance-at-the-royal-albert-hall-in-1969-video/

Thanks Phil

J'ai regardé le concert hier soir, je nai jamais été un grand fan d'Hendrix, mais il a un feeling à la guitare que personne d'autre n'a

Iron 31 a écrit:

J'ai regardé le concert hier soir, je nai jamais été un grand fan d'Hendrix, mais il a un feeling à la guitare que personne d'autre n'a

Entièrement d'accord, c'est pourquoi que je n'ai qu'un seul disque, le "Live in Monterey" et vu 1x en concert par curiosité le 21 janvier 1969 à Strasbourg

Marcel67 a écrit:

Iron 31 a écrit:

J'ai regardé le concert hier soir, je nai jamais été un grand fan d'Hendrix, mais il a un feeling à la guitare que personne d'autre n'a

Entièrement d'accord, c'est pourquoi que je n'ai qu'un seul disque, le "Live in Monterey" et vu 1x en concert par curiosité le 21 janvier 1969 à Strasbourg

Dès qu'il y a un live inédit qui sort, je ne me pose pas de questions, je me le procure.

Super documents, merci beaucoup Marcel

Vu par curiosité ?

bin oui, a cette époque il me semble juste..

Le 9 mars 2018 sortira un nouvel album de JIMI !

Both Sides of the Sky viendra clôturer la trilogie débutée avec Valleys of Neptune (2010) et People, Heel And Angels (2013).

Le disque contiendra 13 titres : 9 versions inédites, 2 raretés et 2 inédits.

En plus des musiciens du guitariste, on découvrira des collaborations avec Johnny Winter, Stephen Stills et le saxophoniste Lonnie Youngblood.

Track list:

http://www.hardforce.fr/actu/23885/jimi-hendrix-nouvel-album-inedit

[quote="Marcel67"]

Iron 31 a écrit:

J'ai regardé le concert hier soir, je nai jamais été un grand fan d'Hendrix, mais il a un feeling à la guitare que personne d'autre n'a

Entièrement d'accord, c'est pourquoi que je n'ai qu'un seul disque, le "Live in Monterey" et vu 1x en concert par curiosité le 21 janvier 1969 à Strasbourg







Hendrix vu par "curiosité" !!!!!!!!!

Remets-toi dans le contexte de l' époque, qui connaissait Hendrix en france ??

Euh ... il commençait a être connu, Hendrix, tout le monde ne l'a pas découvert avec Woodstock ...

Sa carrière a durée 5 ans ('66-'70) et à le vue de tout ce qui est sortit comme albums pendant et après (674 albums), il a passé 24H/24 en studio et en scène, même pas eu le temps de se rouler et de fumer un pétard ..... https://www.discogs.com/fr/artist/110593-Jimi-Hendrix

Comme beaucoup hélas, sa mort a accéléré sa renommée...

Article de Sacha Reins sur le concert de Strasbourg (21 janvier 1969)

STRASBOURAMA - by Sacha Reins:
“Jimi Hendrix, the undisputed leader of psychedelic music, gave.. .a concert that will not be soon forgotten. I prefer not to mention the band which performed during the first part... During the break, the roadies brought onto the stage the most gigantic PA ever seen (and heard) in Strasbourg. Then Jimi Hendrix appeared.
Tall, slim, dressed with polished eccentricity, he is impressive and full of charm; instinctively one expects the unexpected. Hendrix is a tormented soul, a trouble maker who uses his music to render his sensory obsessions.
Under his virtuoso fingers, his guitar caterwauls, roars, cries, and howls. Wild-eyed, swaying from one leg to the other, he masters the impressive electronic gear around him.
With feedback, echo, and reverberation he’s building himself a world. A world where women are beautiful. A world where dreaming substitutes for sordid everyday life. Jimi Hendrix is a searcher for an inaccessible paradise, who has found beauty in immoderation. It’s this excess which unfortunately shocked part of the audience. In spite of this, he played fantastically that evening.
Starting with ‘Come On,’ he continued with a stunning ‘Hey Joe.’ A ‘Hey Joe’ that’s totally different from the version he recorded. Hendrix is not satisfied with reproducing his own records on stage; it’s too easy to build a career on the basis of one recording session (I’m thinking, for example, of James Brown’s musicians who during three weeks at the Olympia, played the same solos every night, note for note!). Jimi challenges himself every night....
The show ended with ‘Voodoo Child.’ A ‘Voodoo Child” - alarming and obsessional - which plunged us into the unhealthy world of black magic and voodoo rites, in a Dante-esque universe with grimacing dead trees. Punching his guitar, throwing it onto the microphone, Hendrix brought the paroxysm to a climax. A wind of madness swept across the stage. Then all of a sudden everything stopped and the ensuing silence was painful:
it hurt all over. Enthusiastic or on the edge of a nervous attack, punch-drunk or angry, the audience was quick to leave the hall. On 21 January in Strasbourg, Jimi Hendrix ravished 2,000 people.”

Article de Best : BEST - ‘Hendrix came to give a concert in Strasbourg’ by Jean D’Hau (fan): “The 2,500 seats of the hail are almost sold out. Behind the curtain, Mitch Mitchell is warming up. The Eire Apparent, managed by Jimi [sic], are getting ready to play. I do not like to write unkindly about a pop band, but for once I can hardly do otherwise. The four of them make a dreadful noise. The Eire Apparent play three very long pieces, including (so I was told, for I could not distinguish any melody line) ‘Gloria’ by Them and Bob Dylan’s ‘Highway 61’. They are loudly booed; they have not managed to warm up the audience.
The Experience equipment is on stage and that is a show in itself: four Marshall amp’s (2 for each guitar), eight speaker cabinets, and a brand-new double drum kit (like Ginger Baker’s). All that is missing is our three friends who appear from the right under thunderous applause. Mitch Mitchell, dressed in a sleeveless top made out of animal skin, settles down immediately on his seat and starts banging on anything within his reach.
After that Noel Redding turns up, dragging his feet, his legendary thinness hidden by a pair of brown trousers and electric-blue jumper, sporting a black felt hat with its brim down. Noel holds a bottle of white wine in one hand and in the other a Fender Precision Bass in mottled brown. Jimi arrives last, cigarette in the corner of his mouth, black trousers, waistcoat embroidered in purple green and gold. While plugging in his Fender Stratocaster he asks the audience to wait a minute while he tunes up.
They start off with ‘Come On’ by Earl King and Jimi manages to break a string. The public waits patiently for the repair. Then it’s ‘Hey Joe’ during which Jimi eats his guitar. After that ‘Spanish Castle Magic’ where Mitch does a superb solo rewarded by wild applause. While Mitch is drying his face with a towel, Jimi announces ‘Red House,’ which he interprets wonderfully. Then ‘Fire’: the public listens carefully, everyone is still seated and behaving well. Jimi, visibly disappointed by this ‘behaviour’, introduces, ‘a number dedicated to the Cream’; it is ‘Sunshine Of Your Love,’ a long and complicated instrumental piece, followed by ‘Purple Haze’ and ‘Foxy Lady’ where Jimi stretches out and uses every imaginable trick to rouse his audience; but hypnotised by Jimi’s stage act and stoned by the sonorous decibels, people are still seated. The Experience end with a strong and nervous ‘Voodoo Child’ and then hurries back to the wings. Applause breaks out and people are visibly satisfied, but they forget to show it. What’s to be done? Strasbourg is not Monterey!
In my opinion Jimi chose his programme badly. Too many fast and noisy pieces: gentler titles such as ‘The Wind Cries Mary,’ ‘All Along The Watchtower’, Gypsy Eyes’, and ‘One Rainy Wish’ would have been welcome. The Experience was on stage for one hour and five minutes, which is a lot. In any case it was a great evening and one which I will long remember.”

On demande un traducteur au parloir
Message à l' attention de Mc Penchou: "Phil, laisse tomber, si c 'est pour avoir la traduction en moldave, retourne à la prune"

On verra plus tard. Là, je suis dans la finalisation du voyage à Brighton qui aura lieu du 26 au 31 mars.