Qu\'est ce que vous écoutez en ce moment ?

LP
Obligatoire aujourd'hui.

Definitivement j'ai pas vu le meme groupe à Milan ... Il pleut , je viens de m'enfiler ces 2 albums live, c'est énorme .



Putain quelle frustration .

LP

Whitesnake / Hanley 1978 Soundboard / 1CD / ZODIAC 624

Victoria Hall, Hanley, Staffordshire, UK 7th November 1978

(79:45)
1. Soundcheck
2. Come On
3. Might Just Take Your Life
4. Lie Down (A Modern Love Song)
5. Ain’t No Love In The Heart Of The City
6. Trouble
7. Micky Moody Solo
8. Steal Away
9. Mistreated
10. Belgian Tom’s Hat Trick
11. Jon Lord Solo
12. Take Me With You
13. Rock Me Baby
14. Breakdown/Whitesnake Mama

STEREO SOUNDBOARD RECORDING

David Coverdale – Vocals
Bernie Marsden – Guitar
Micky Moody – Guitar
Neil Murray – Bass
David Dowle – Drums
Jon Lord – Keyboards


https://www.giginjapan.com/whitesnake-hanley-1978-sbd/

A reprint series of the popular “Bernie Tapes” collection. A soundboard album that will be the final blow is now available! It will be released on a press CD that will permanently preserve the highest peak updated sound refined through meticulous mastering!!
What is engraved on this work is “November 7, 1978 Hanley Performance”. This is a stereo soundboard recording. In the first place, this “Bernie Tapes” series was digitized directly from the original cassettes that were treasured by the late Bernie Marsden himself. This is a hidden treasure that Bernie himself personally visited our store and provided to us.
At present, “Bernie Tapes” has been reprinted with “3 types of audience recordings + 2 types of soundboards” and has received a great response, but this work is also the final edition. All of these records are from the early days of the band’s formation, so let’s first check their relative positions.

●1977
・December 16th-22nd: First rehearsal with 5 members
●1978
《February 13th: Brian Johnston joins》
・March 3rd-31st: UK #1 (17 performances) ← *RAFTERS 1978 and others
《Brian leaves → Pete Thorley joins》
《April 7th-13th “SNAKEBITE” production》
・April 25th – July 9th: Europe (6 performances) ← *LYCEUM 1978
《Pete leaves → Jon Lord joins》
[“TROUBLE” completed on August 12th] ・October 26th – November 23rd: UK #2 (17 performances) ←★Here★

This is WHITESNAKE in 1977/1978. At that time, the keyboard player was not stable, so they decided to give up on the original Brian Johnston, but soon left. Second hitter Pete Thorley was asked to help from the beginning on the condition that he would be OK as a fill-in, and Jon Lord finally joined the team as the third player. John participated in the overdub stage of “TROUBLE” and completed it the day after joining. We will be embarking on our first tour under the new system, “UK #2”. From this leg, the official version “LIVE AT HAMMERSMITH” and the press masterpiece “BRIGHTON 1978 SOUNDBOARD (Zodiac 614)” of “Bernie Tapes” are also left, so let’s focus on the dates and check the positional relationship of each. Let’s leave it there.

●Details of “UK #2”
・October 26th-29th (3 performances)
*November 1st “BRIGHTON 1978 SOUNDBOARD”
・November 2nd + 6th (2 performances)
*November 7th: Hanley performance ←★This work★
・November 9th – 21st (9 performances)
*November 23rd “LIVE AT HAMMERSMITH (Official)”

…and it looks like this. Hanley’s performance of this work will be held 16 days before the official “LIVE AT HAMMERSMITH”. It is a long soundboard album where you can enjoy almost the most recent full show. The reason why I say “almost” here is because there is a cut in the middle of “Mistreated”. This can’t be helped because the tape in Barney’s possession was like that (however, the cut part seems to be extremely short, and this work’s “Mistreated” is longer than the uncut “BRIGHTON 1978 SOUNDBOARD”).
Even more important is the sound. Although it has traditionally been a system directly connected to a top-of-the-line mix table, this work is a top-of-the-line updated version that has been brushed up with meticulous mastering just like the other “Bernie Tapes” collections. For those who have experienced the previous episodes, it is overwhelmingly clearer than “MUST BE THE GYPSY IN ME” and more dynamic than “STEAL THE NIGHT.” In particular, the power of the mid-bass has been significantly improved, and the balance that has been analyzed for each range has a beauty of symmetry. What’s more, the noise is also the lowest ever. This Barney tape has a noise like a poor contact in the left channel in “Trouble” and “Take Me with You”, but this is also thoroughly treated. Although it is impossible to completely solve the problem, it has been repaired as much as possible using 2023 technology.
The best sound ever is a live album that expands the official “LIVE AT HAMMERSMITH” to full scale. The twins Barney, who loves Peter Green, and Mickey Moody, who adores Elmore James, embody the ideal of blues rock, and the singing bass of Neil Murray, who made Canterbury fans swell with the superband NATIONAL HEALTH, dances there. . And the drumming by Dave Dole, who was fired for being “too jazzy,” is also good. It may not be as powerful as Ian Paice, but depending on whether you see WHITESNAKE as “powerful blues rock” or “bluesy hard rock,” some people may prefer Dewl.
The “Bernie Tapes” collection revealed the truth about early WHITESNAKE with only official works. This is the final soundboard album. This is a piece that will directly feed into your brain the highest quality live performance from the time when Shiroja was a member of Dowl, which had the richest blues taste in the history of the White Snake. Please enjoy it anytime and forever with the permanent press CD!

★Stereo soundboard recording of “November 7, 1978 Hanley Performance” provided by the late Bernie Marsden himself. Although it is the same UK tour as the official version “LIVE AT HAMMERSMITH”, it is a long soundboard of about 80 minutes, far exceeding the official one, and was carefully mastered after being digitized directly from Barney cassette. This is a press CD that permanently preserves the highest peak updated sound that is more dynamic than the previous version.

LP
C'est toujours une déflagration, ce live !!!!!!!!!!

LP
Tournée A Night At The Opera.

puis


LP

C'est putain de chiant Marillion ...

Il vaut quoi le Mister Big ?

steph66 a écrit:

C'est putain de chiant Marillion ...

Il vaut quoi le Mister Big ?

Pas mal mais pas transcendant.






Merci à Tangmo

Phil a écrit:

steph66 a écrit:

C'est putain de chiant Marillion ...

Il vaut quoi le Mister Big ?

Pas mal mais pas transcendant.

Merci pour ce superbe retour ...

Je vais relire les posts de sykes ici meme et j'aviserai .

Quoi qu'il en soit, La Chinga et De Wolff comme c'est bon de découvrir des nouveaux trucs à 58 berges .

steph66 a écrit:

C'est putain de chiant Marillion ...

Marillion, c'est pas chiant, c'est hyper, méga, giga NUL

NEXT!!!!!!!!!!

Iron est le seul sur ce forum qui constate que certains écoutent vraiment de la merde ...

Phil a écrit:

steph66 a écrit:

C'est putain de chiant Marillion ...

Il vaut quoi le Mister Big ?

Pas mal mais pas transcendant.






Merci à Tangmo

Le son est très moyen la performance médiocre malheureusement
Mais il y a pire : Steph tout ce qu'il écoute se transforme en 🤮

steph66 a écrit:

Iron est le seul sur ce forum qui constate que certains écoutent vraiment de la merde ...

Avec toi Steph on est deux

Trois écoutes plus tard, je dois l'admettre: cet album est superbe pour des mecs de 80 balais...certaines critiques disent que c'est le meilleur album depuis Tattoo you...je suis entièrement d'accord!



Cet album est une vraie merveille qui a le titre de l'année 2023 pour ma part: Darkfighter!



1ère écoute!

LP

LP

LP

LP

LP

Pour moi le dernier grand Purple juilllet 1993